Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal.

Will you cast Length, which controls the decay length of the reverb?
What about Diffuse, which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

Overwhelmed by fear, you hastily cast Dampen! As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It's almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

Elsewhere in your book of magic is Drag, which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise Drag positions will gather the delay lines close together for a more reverb-like effect. Turn the Drag counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

The Drag can be put under voltage or expression control using the EXP jack located on the side and operates in 9 different modes which are selected by the small Mode control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave,
Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

The Reflect alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

Finally, the Mix alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

1. Unquantized: Smooth, unquantized response over the operating range

2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The Drag will lag behind the knob or cv changes, but then quickly catch up.

3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.

4. Chromatic Scale: Quantized 1v/octave to the chromatic scale

5. Minor Scale: Quantized 1v/octave to the minor scale

6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)

7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale

8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths

9. Octaves: Quantized 1v/octave to omit all but octaves